A dart is a wedge of material removed from a flat piece and closed up, turning something flat into something curved. It is the fundamental move in both puppet fabric work and foam construction.

The principle

Flat material cannot wrap a sphere without wrinkling — the excess has to go somewhere. Cutting a narrow V from the edge and joining the cut sides removes that excess. The piece pulls into a curve. Repeat around a circumference and a flat disc becomes a dome.

Depth and spacing control the curve

Deeper darts and more of them give a tighter curve. Shallower and fewer give a gentler one. This is the entire vocabulary of shaping a puppet skull from sheet material, and it is why contouring beats carving a solid block: same shape, a fraction of the weight, and room inside for a hand.

In foam

Cut the wedge, skive both cut edges to a matching bevel, then glue with contact cement. A square-cut dart leaves a ridge exactly where the curve is tightest — the worst possible place for one, because fleece follows it exactly.

In fabric

Darts are sewn rather than butted, stitched from the wide end to a point that must be tapered to nothing. A blunt dart point produces a visible dimple that no amount of pressing removes.

Placement is a design decision

Put darts where seams hide — the back of the head, under the jaw, behind a hairline. A dart across the front of a face is permanent.

The hack: cut shallow first. You can always deepen a dart to tighten the curve. You cannot un-cut it.