Michael Curry is an American designer and fabricator specialising in large-scale puppetry and spectacle, best known for co-designing the puppets and masks for The Lion King with Julie Taymor.

He is a builder, not a director

, and this glossary needs more of those. Curry’s discipline is the engineering half of a spectacle — how a structure is carried, how it articulates, how a performer wears something for three hours without injury, and how it survives a run of years rather than a run of weeks.

The Lion King problems

were mechanical. A giraffe requires stilts a performer can walk in. An elephant has to move down an aisle full of paying customers. A mask has to sit above an actor’s face, stay visible, weigh almost nothing, and hold a shape under stage light. Taymor set the visual language; solving it physically was a separate job.

Beyond theatre

His studio has worked on Cirque du Soleil productions, Olympic ceremonies, parades, arena shows and theme park attractions — the whole category of work where puppetry meets industrial fabrication.

The lesson for a builder

At scale, puppetry becomes an engineering discipline. Materials science, load paths, ergonomics and maintenance schedules matter more than sculpting. If your interest runs toward how a thing is built rather than how it is performed, this is a real and well-paid career path that almost nobody tells beginners about.

The studio model

— a design and fabrication house taking commissions across industries — is also worth understanding as a business shape.