Richard Hunt (1951–1992) was a Muppet performer who joined Jim Henson’s company as a teenager in 1970 and worked constantly for the next two decades.

Scooter. Beaker. Janice. Statler. Sweetums

A range that runs from a nervous stage manager to a wordless lab assistant to a laid-back guitarist — none of which sound related.

The right-hand craft

Hunt is remembered among performers as an exceptional live-hand partner, the person operating a character’s left arm while another performer worked the head and right arm. This is one of the least visible and most demanding jobs in puppetry: two people producing one continuous performance, sharing breath and timing so exactly that the audience never registers there are two of them.

Why that is worth an entry on a building site

If you build live hand puppets, you are building for two people, and the sleeve, cuff and glove all have to work for a second performer standing beside the first. Hunt’s reputation is the argument for taking that seriously.

Beaker

is the other lesson. The character has no dialogue — only a rising and falling meep — and reads clearly as anxious, put-upon and long-suffering. All of it comes from timing and physical reaction. Nothing about the puppet’s construction is doing that work.

He performed from 1970 to 1991

, across The Muppet Show, Sesame Street, Fraggle Rock and the feature films. Jerry Nelson took over Statler afterwards, having originated the character in the first Muppet Show pilot.

For a performer, Hunt is the argument that reaction beats dialogue almost every time.